{"id":7458,"date":"2026-03-17T10:55:43","date_gmt":"2026-03-17T09:55:43","guid":{"rendered":"https:\/\/oshoshqip.com\/?p=7458"},"modified":"2026-03-17T11:47:40","modified_gmt":"2026-03-17T10:47:40","slug":"mirdad-fjala-une-perdet-balanca-persosur","status":"publish","type":"post","link":"https:\/\/oshoshqip.com\/en\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/","title":{"rendered":"Libri i Mirdad: Nga Fjala \u201cUn\u00eb\u201d tek Balanca e P\u00ebrsosur"},"content":{"rendered":"
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\u00c7far\u00eb \u00ebsht\u00eb \u201cUni\u201d sipas Mirdad? Zbulo sesi mendimi, fjala dhe perceptimi krijojn\u00eb realitetin dhe si t\u00eb arrish balanc\u00ebn e brendshme. (Analiz\u00eb e kapitujve 1\u20132 nga Libri i Mirdad i Mikhail Naimy)\n\n\n\n\n\n\n\n\n\n\n\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Follow us on social media<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tFacebook<\/span>\n\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tInstagram<\/span>\n\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\tto YouTube<\/span>\n\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Heshtja q\u00eb shp\u00ebrthen n\u00eb fjal\u00eb<\/h2>

Gjith\u00e7ka fillon n\u00eb nj\u00eb m\u00ebnyr\u00eb t\u00eb zakonshme, pothuajse t\u00eb par\u00ebnd\u00ebsishme: nj\u00eb tryez\u00eb, disa njer\u00ebz, nj\u00eb rregull i vjet\u00ebr q\u00eb ka humbur shpirtin e tij. Fjala \u201cUn\u00eb\u201d \u2013 e ndaluar dikur p\u00ebr t\u00eb mbrojtur nj\u00eb t\u00eb v\u00ebrtet\u00eb m\u00eb t\u00eb lart\u00eb \u2013 tani p\u00ebrdoret pa vet\u00ebdije, si nj\u00eb refleks i brendsh\u00ebm q\u00eb nuk mund t\u00eb ndalet. Shamadam nuk flet thjesht p\u00ebr arritjet e tij; ai p\u00ebrpiqet t\u00eb mbaj\u00eb gjall\u00eb nj\u00eb ndjenj\u00eb t\u00eb vetes q\u00eb po i rr\u00ebshqet nga duart. N\u00eb \u00e7do \u201cUn\u00eb\u201d q\u00eb shqipton, ka nj\u00eb k\u00ebrkes\u00eb t\u00eb heshtur: \u201cM\u00eb shihni. M\u00eb njihni. M\u00eb pranoni.\u201d<\/p>

Dhe aty ku \u201cUn\u00eb\u201d b\u00ebhet k\u00ebrkes\u00eb, jo vet\u00ebdije, fillon \u00e7arja.<\/strong><\/span><\/p>

T\u00eb tjer\u00ebt nuk reagojn\u00eb ndaj s\u00eb v\u00ebrtet\u00ebs s\u00eb fjal\u00ebs s\u00eb tij, por ndaj form\u00ebs s\u00eb saj. Fillon korrigjimi, pastaj kund\u00ebrshtimi, dhe m\u00eb pas p\u00ebrplasja. Fjala q\u00eb duhej t\u00eb ishte nj\u00eb port\u00eb drejt vet\u00ebdijes, shnd\u00ebrrohet n\u00eb nj\u00eb mur ndar\u00ebs. \u00c7do z\u00eb k\u00ebrkon t\u00eb sqaroj\u00eb, por n\u00eb t\u00eb v\u00ebrtet\u00eb vet\u00ebm e trash mjegull\u00ebn. Diskutimi nuk ka m\u00eb q\u00ebllim; ai b\u00ebhet nj\u00eb mekaniz\u00ebm q\u00eb ushqen vetveten.<\/p>

K\u00ebshtu lind zhurma. Shum\u00eb fjal\u00eb q\u00eb nuk prekin asgj\u00eb. Shum\u00eb mendime q\u00eb nuk dep\u00ebrtojn\u00eb askund. Nj\u00eb l\u00ebvizje pa drejtim, si nj\u00eb rreth q\u00eb mbyllet mbi veten. Dhe n\u00eb mes t\u00eb k\u00ebsaj vorbulle, ai q\u00eb mund t\u00eb flas\u00eb, nuk flet. Mirdadi pret.<\/p>

Ai nuk nd\u00ebrhyn sepse e di se \u00e7do fjal\u00eb e shtuar n\u00eb at\u00eb gjendje do t\u00eb ishte vet\u00ebm nj\u00eb shtres\u00eb tjet\u00ebr mbi verb\u00ebrin\u00eb. Ka momente kur e v\u00ebrteta nuk duhet th\u00ebn\u00eb \u2013 jo sepse mungon, por sepse nuk ka ende hap\u00ebsir\u00eb p\u00ebr ta pritur. Dhe heshtja e tij nuk \u00ebsht\u00eb bosh; ajo \u00ebsht\u00eb nj\u00eb prani q\u00eb rritet, nj\u00eb tension i paduksh\u00ebm q\u00eb mbledh gjith\u00e7ka drejt nj\u00eb pike t\u00eb vetme.<\/p>

Sepse nuk \u00ebsht\u00eb momenti p\u00ebr t\u00eb shtuar nj\u00eb ide m\u00eb shum\u00eb. \u00cbsht\u00eb momenti p\u00ebr t\u00eb thyer vet\u00eb struktur\u00ebn q\u00eb prodhon idet\u00eb. Kur m\u00eb n\u00eb fund flet, pas shtat\u00eb vitesh heshtje, nuk ka asnj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb zgjidhur debatin. Ai nuk merr an\u00eb. Nuk korrigjon ask\u00ebnd. Nuk jep p\u00ebrgjigje n\u00eb kuptimin q\u00eb mendja pret.<\/p>

Ai b\u00ebn di\u00e7ka shum\u00eb m\u00eb radikale: ai zhvendos terrenin mbi t\u00eb cilin q\u00ebndron vet\u00eb pyetja.<\/p>

N\u00eb vend q\u00eb t\u00eb flas\u00eb p\u00ebr fjal\u00ebt, ai flet p\u00ebr burimin e tyre. N\u00eb vend q\u00eb t\u00eb analizoj\u00eb konfliktin, ai tregon rr\u00ebnj\u00ebn q\u00eb e lind at\u00eb. Ai nuk i k\u00ebrkon askujt t\u00eb ndryshoj\u00eb at\u00eb q\u00eb thot\u00eb; ai i fton t\u00eb shohin nga vjen ajo q\u00eb thon\u00eb. Dhe aty ndodh kthesa. Sepse problemi nuk ishte fjala \u201cUn\u00eb\u201d. Problemi ishte se askush nuk e dinte \u00e7far\u00eb \u00ebsht\u00eb \u201cUn\u00eb\u201d.<\/p>

Fjal\u00ebt, thot\u00eb ai, nuk jan\u00eb ura drejt s\u00eb v\u00ebrtet\u00ebs \u2013 ato jan\u00eb perde. \u00c7do gj\u00eb q\u00eb ne shohim \u00ebsht\u00eb nj\u00eb mbules\u00eb. \u00c7do gj\u00eb q\u00eb ne themi \u00ebsht\u00eb nj\u00eb vul\u00eb. Syri nuk zbulon; ai mbulon. Gjuha nuk \u00e7liron; ajo mbyll. Dhe sa m\u00eb shum\u00eb q\u00eb p\u00ebrpiqemi t\u00eb shohim dhe t\u00eb shpjegojm\u00eb me k\u00ebto mjete, aq m\u00eb shum\u00eb mb\u00ebshtillemi n\u00eb to.<\/p>

Kjo nuk \u00ebsht\u00eb nj\u00eb kritik\u00eb ndaj shqisave apo ndaj gjuh\u00ebs. \u00cbsht\u00eb nj\u00eb vendosje n\u00eb vendin e duhur. Syri nuk \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb dep\u00ebrtuar n\u00eb t\u00eb v\u00ebrtet\u00ebn e fundit; ai \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb treguar se ka di\u00e7ka p\u00ebrtej tij. Fjala nuk \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb shprehur absoluten; ajo \u00ebsht\u00eb b\u00ebr\u00eb p\u00ebr t\u00eb na \u00e7uar n\u00eb kufirin ku fjala d\u00ebshton. Dhe pik\u00ebrisht aty fillon udh\u00ebtimi i v\u00ebrtet\u00eb.<\/p>

Mirdadi nuk u k\u00ebrkon t\u00eb ndalojn\u00eb s\u00eb foluri apo s\u00eb shikuari. Ai u k\u00ebrkon di\u00e7ka m\u00eb t\u00eb thell\u00eb: t\u00eb shohin p\u00ebrmes syrit dhe t\u00eb flasin p\u00ebrmes fjal\u00ebs. Jo t\u00eb identifikohen me mjetin, por ta p\u00ebrdorin at\u00eb si nj\u00eb dritare. Sepse kur njeriu sheh p\u00ebrmes syrit, ai fillon t\u00eb kuptoj\u00eb se \u00e7do gj\u00eb q\u00eb sheh \u00ebsht\u00eb nj\u00eb pasqyrim i vetes. Dhe kur flet p\u00ebrmes fjal\u00ebs, ai fillon t\u00eb ndiej\u00eb se \u00e7do gj\u00eb q\u00eb thot\u00eb \u00ebsht\u00eb nj\u00eb shpalosje e asaj q\u00eb \u00ebsht\u00eb.<\/p>

At\u00ebher\u00eb bota nuk \u00ebsht\u00eb m\u00eb nj\u00eb enigm\u00eb p\u00ebr t\u2019u zgjidhur. Ajo \u00ebsht\u00eb nj\u00eb pasqyr\u00eb p\u00ebr t\u2019u njohur. Dhe zhurma pushon jo sepse fjal\u00ebt zhduken, por sepse burimi i tyre b\u00ebhet i qart\u00eb. N\u00eb at\u00eb \u00e7ast, \u201cUn\u00eb\u201d nuk \u00ebsht\u00eb m\u00eb nj\u00eb k\u00ebrkes\u00eb. Nuk \u00ebsht\u00eb m\u00eb nj\u00eb mbrojtje. Nuk \u00ebsht\u00eb m\u00eb nj\u00eb form\u00eb q\u00eb k\u00ebrkon t\u00eb mbijetoj\u00eb p\u00ebrmes krahasimit. Ai b\u00ebhet nj\u00eb port\u00eb.<\/p>

Nj\u00eb fjal\u00eb e vog\u00ebl, por q\u00eb mbart pesh\u00ebn e t\u00eb gjitha fjal\u00ebve. Nj\u00eb pik\u00eb nga ku lind gjith\u00e7ka dhe ku gjith\u00e7ka kthehet. Dhe vet\u00ebm kur kjo fjal\u00eb kuptohet jo si tingull, por si p\u00ebrvoj\u00eb e drejtp\u00ebrdrejt\u00eb, at\u00ebher\u00eb fillon \u00e7lirimi i v\u00ebrtet\u00eb: jo nga bota, por nga m\u00ebnyra se si e krijojm\u00eb at\u00eb pa e ditur. Sepse n\u00eb fund, nuk jan\u00eb gj\u00ebrat q\u00eb duhet t\u00eb zbulojn\u00eb veten. \u00cbsht\u00eb njeriu q\u00eb duhet t\u00eb zbuloj\u00eb veten e tij p\u00ebrtej t\u00eb gjitha mbulesave q\u00eb ai vet\u00eb ka vendosur.<\/p>

Perdet dhe vulat \u2013 struktura e perceptimit<\/h2>

Ajo q\u00eb shihni nuk \u00ebsht\u00eb realiteti. \u00cbsht\u00eb nj\u00eb vello. Ajo q\u00eb thoni nuk \u00ebsht\u00eb e v\u00ebrteta. <\/strong>\u00cbsht\u00eb nj\u00eb vul\u00eb.<\/strong><\/span><\/p>

Syri nuk \u00ebsht\u00eb instrument i zbulimit \u2013 \u00ebsht\u00eb instrument i mbulimit. Fjala nuk \u00ebsht\u00eb kanal i s\u00eb v\u00ebrtet\u00ebs \u2013 \u00ebsht\u00eb form\u00eb q\u00eb e ngurt\u00ebson at\u00eb.<\/p>

  • Syri kap forma \u2192 forma b\u00ebhet vello<\/span><\/li>
  • Gjuha prodhon fjal\u00eb \u2192 fjala b\u00ebhet vul\u00eb<\/span><\/li><\/ul>

    Dhe njeriu jeton i rrethuar nga perdet q\u00eb sheh dhe vulat q\u00eb shqipton. Por k\u00ebtu ndodh kthesa: Mirdadi nuk thot\u00eb \u201cmos shih\u201d apo \u201cmos fol\u201d. Ai thot\u00eb: shih p\u00ebrtej<\/strong> dhe fol p\u00ebrtej<\/strong>. Ky \u00ebsht\u00eb kalimi nga p\u00ebrdorimi i instrumentit, tek tejkalimi i tij.<\/p>

    Goditja e par\u00eb vjen e qet\u00eb, por me nj\u00eb forc\u00eb q\u00eb \u00e7monton t\u00eb gjith\u00eb m\u00ebnyr\u00ebn si njeriu \u00ebsht\u00eb m\u00ebsuar t\u00eb jetoj\u00eb brenda bot\u00ebs s\u00eb tij. Nuk ka asnj\u00eb dramatizim, asnj\u00eb akuz\u00eb \u2013 vet\u00ebm nj\u00eb zhvendosje e thjesht\u00eb e k\u00ebndv\u00ebshtrimit: ajo q\u00eb ti sheh nuk \u00ebsht\u00eb realiteti n\u00eb vetvete, por nj\u00eb perde q\u00eb e mbulon at\u00eb; ajo q\u00eb ti thua nuk \u00ebsht\u00eb e v\u00ebrteta e gjall\u00eb, por nj\u00eb vul\u00eb q\u00eb e mbyll at\u00eb n\u00eb form\u00eb.<\/p>

    K\u00ebtu bie nj\u00eb nga iluzionet m\u00eb t\u00eb thella njer\u00ebzore. Sepse njeriu beson se syri i tij \u00ebsht\u00eb nj\u00eb dritare e hapur drejt bot\u00ebs, nj\u00eb mjet i past\u00ebr q\u00eb kap realitetin ashtu si\u00e7 \u00ebsht\u00eb. Por n\u00eb t\u00eb v\u00ebrtet\u00eb, syri nuk zbulon \u2013 ai p\u00ebrzgjedh, kufizon, form\u00ebson. Ai e redukton pafund\u00ebsin\u00eb n\u00eb forma t\u00eb kapshme dhe n\u00eb k\u00ebt\u00eb akt, vendos nj\u00eb perde mes njeriut dhe asaj q\u00eb \u00ebsht\u00eb p\u00ebrtej form\u00ebs.<\/p>

    E nj\u00ebjta gj\u00eb ndodh me fjal\u00ebn. Njeriu mendon se kur flet, ai shpreh t\u00eb v\u00ebrtet\u00ebn. Por fjala nuk \u00ebsht\u00eb rrjedh\u00eb e lir\u00eb e s\u00eb v\u00ebrtet\u00ebs; ajo \u00ebsht\u00eb nj\u00eb form\u00eb q\u00eb e ngurt\u00ebson at\u00eb, nj\u00eb struktur\u00eb q\u00eb e mbyll n\u00eb kufijt\u00eb e tingujve dhe kuptimeve. \u00c7do fjal\u00eb \u00ebsht\u00eb nj\u00eb vul\u00eb \u2013 nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb fiksuar at\u00eb q\u00eb n\u00eb thelb \u00ebsht\u00eb e pafiksueshme.<\/p>

    Dhe k\u00ebshtu, pa e kuptuar, njeriu nd\u00ebrton nj\u00eb bot\u00eb t\u00eb t\u00ebr\u00eb t\u00eb p\u00ebrb\u00ebr\u00eb nga perde dhe vula. Ai sheh forma dhe i merr p\u00ebr realitet. Ai flet fjal\u00eb dhe i merr p\u00ebr t\u00eb v\u00ebrteta. Ai l\u00ebviz brenda nj\u00eb universi q\u00eb duket solid, por q\u00eb n\u00eb thelb \u00ebsht\u00eb nj\u00eb rrjet interpretimesh t\u00eb ngrira.<\/p>

    Kjo nuk \u00ebsht\u00eb nj\u00eb kritik\u00eb ndaj njeriut. Nuk \u00ebsht\u00eb nj\u00eb thirrje p\u00ebr ta braktisur shikimin apo t\u00eb folurin. \u00cbsht\u00eb nj\u00eb p\u00ebrshkrim i sakt\u00eb i mekanizmit. Syri b\u00ebn at\u00eb q\u00eb di t\u00eb b\u00ebj\u00eb: kap forma dhe i shnd\u00ebrron n\u00eb perde. Gjuha b\u00ebn at\u00eb q\u00eb di t\u00eb b\u00ebj\u00eb: prodhon fjal\u00eb dhe i kthen n\u00eb vula. Problemi nuk \u00ebsht\u00eb tek instrumentet, por tek identifikimi i plot\u00eb me to.<\/p>

    Dhe pik\u00ebrisht k\u00ebtu hapet dera. Sepse Mirdadi nuk k\u00ebrkon t\u00eb shkat\u00ebrroj\u00eb instrumentet. Ai nuk thot\u00eb \u201cmos shih\u201d dhe as \u201cmos fol\u201d. Nj\u00eb urdh\u00ebr i till\u00eb do t\u00eb ishte vet\u00ebm nj\u00eb tjet\u00ebr form\u00eb mohimi, nj\u00eb tjet\u00ebr perde m\u00eb e trash\u00eb. Ai ofron di\u00e7ka shum\u00eb m\u00eb t\u00eb thell\u00eb dhe m\u00eb t\u00eb sakt\u00eb: nj\u00eb ndryshim n\u00eb m\u00ebnyr\u00ebn e p\u00ebrdorimit.<\/p>

    Ai thot\u00eb: shih p\u00ebrtej dhe fol p\u00ebrtej. Kjo \u00ebsht\u00eb nj\u00eb kthes\u00eb e brendshme, jo nj\u00eb veprim i jasht\u00ebm. T\u00eb shoh\u00ebsh p\u00ebrtej do t\u00eb thot\u00eb t\u00eb mos ndalesh tek forma q\u00eb syri kap, por t\u00eb dep\u00ebrtosh p\u00ebrtej saj, t\u00eb ndjesh se ajo q\u00eb duket \u00ebsht\u00eb vet\u00ebm nj\u00eb sip\u00ebrfaqe. T\u00eb flas\u00ebsh p\u00ebrtej do t\u00eb thot\u00eb t\u00eb mos identifikohesh me fjal\u00ebn q\u00eb del, por t\u00eb lejosh q\u00eb di\u00e7ka m\u00eb e thell\u00eb t\u00eb rrjedh\u00eb p\u00ebrmes saj pa u bllokuar n\u00eb t\u00eb.<\/p>

    Ky \u00ebsht\u00eb kalimi nga p\u00ebrdorimi i pavet\u00ebdijsh\u00ebm i instrumentit, tek tejkalimi i tij i vet\u00ebdijsh\u00ebm. N\u00eb k\u00ebt\u00eb pik\u00eb, syri nuk \u00ebsht\u00eb m\u00eb nj\u00eb perde q\u00eb mbyll \u2013 por b\u00ebhet nj\u00eb dritare q\u00eb tregon se ka m\u00eb shum\u00eb se sa duket. Fjala nuk \u00ebsht\u00eb m\u00eb nj\u00eb vul\u00eb q\u00eb ngurt\u00ebson \u2013 por b\u00ebhet nj\u00eb shenj\u00eb q\u00eb tregon drejt asaj q\u00eb nuk mund t\u00eb thuhet plot\u00ebsisht. Dhe njeriu, p\u00ebr her\u00eb t\u00eb par\u00eb, nuk jeton m\u00eb brenda asaj q\u00eb sheh dhe thot\u00eb. Ai fillon t\u00eb jetoj\u00eb p\u00ebrtej tyre.<\/p>

    Enigma nuk \u00ebsht\u00eb bota \u2013 je ti<\/h2>

    N\u00ebse bota \u00ebsht\u00eb enigm\u00eb, \u00ebsht\u00eb sepse ti je enigm\u00eb p\u00ebr veten t\u00ebnde.<\/strong><\/span>
    N\u00ebse fjala \u00ebsht\u00eb labirint, \u00ebsht\u00eb sepse ti je labirint.<\/strong><\/span><\/p>

    Prandaj ai thot\u00eb: mos k\u00ebrko q\u00eb gj\u00ebrat t\u00eb heqin perdet e tyre. Hiq perden t\u00ebnde.<\/strong><\/p>

    Sa her\u00eb q\u00eb bota duket e err\u00ebt, e paqart\u00eb, e pakuptueshme, njeriu instinktivisht kthen syt\u00eb nga jasht\u00eb. Ai k\u00ebrkon t\u00eb rregulloj\u00eb rrethanat, t\u00eb ndryshoj\u00eb njer\u00ebzit, t\u00eb organizoj\u00eb realitetin n\u00eb m\u00ebnyr\u00eb q\u00eb ai t\u00eb b\u00ebhet m\u00eb i kuptuesh\u00ebm, m\u00eb i parashikuesh\u00ebm, m\u00eb i duruesh\u00ebm. Kjo \u00ebsht\u00eb l\u00ebvizja e zakonshme e mendjes: kur nuk kupton, p\u00ebrpiqet t\u00eb kontrolloj\u00eb.<\/p>

    Por k\u00ebtu ndodh p\u00ebrmbysja. Mirdadi nuk e ndjek k\u00ebt\u00eb drejtim. Ai nuk e trajton bot\u00ebn si nj\u00eb problem p\u00ebr t\u2019u zgjidhur. Ai e zhvendos v\u00ebshtrimin nga objekti tek subjekti, nga ajo q\u00eb shihet tek ai q\u00eb sheh. Dhe n\u00eb k\u00ebt\u00eb zhvendosje t\u00eb thjesht\u00eb, por t\u00eb thell\u00eb, ai vendos nj\u00eb pasqyr\u00eb p\u00ebrpara njeriut.<\/p>

    N\u00ebse bota \u00ebsht\u00eb enigm\u00eb, thot\u00eb ai, kjo nuk vjen sepse bota \u00ebsht\u00eb e err\u00ebt n\u00eb vetvete. Vjen sepse ti je i paqart\u00eb p\u00ebr veten t\u00ebnde. Ti je nj\u00eb enigm\u00eb q\u00eb p\u00ebrpiqet t\u00eb kuptoj\u00eb nj\u00eb tjet\u00ebr enigm\u00eb, dhe p\u00ebrplasja mes t\u00eb dyjave krijon ndjesin\u00eb e konfuzionit.<\/p>

    N\u00ebse fjala \u00ebsht\u00eb nj\u00eb labirint ku humbet kuptimi, nuk \u00ebsht\u00eb sepse gjuha \u00ebsht\u00eb e mang\u00ebt. \u00cbsht\u00eb sepse ai q\u00eb flet \u00ebsht\u00eb vet\u00eb nj\u00eb labirint \u2013 i ndar\u00eb, i fragmentuar, i paqart\u00eb n\u00eb qendr\u00ebn e tij. Fjal\u00ebt vet\u00ebm pasqyrojn\u00eb k\u00ebt\u00eb ndarje t\u00eb brendshme.<\/p>

    Kjo \u00ebsht\u00eb nj\u00eb nga goditjet m\u00eb t\u00eb forta t\u00eb k\u00ebtij m\u00ebsimi: realiteti nuk rregullohet duke nd\u00ebrhyr\u00eb mbi format e jashtme. Nuk pastrohet duke riorganizuar objektet, marr\u00ebdh\u00ebniet apo rrethanat. Ai qart\u00ebsohet vet\u00ebm kur burimi q\u00eb e percepton \u00e7lirohet nga shtremb\u00ebrimet e veta.<\/p>

    Sepse ajo q\u00eb ti sheh nuk \u00ebsht\u00eb kurr\u00eb thjesht ajo q\u00eb \u00ebsht\u00eb p\u00ebrpara teje. \u00cbsht\u00eb gjithmon\u00eb ajo q\u00eb je ti, e projektuar mbi at\u00eb q\u00eb \u00ebsht\u00eb p\u00ebrpara teje.<\/p>

    Prandaj p\u00ebrpjekja p\u00ebr t\u00eb ndryshuar bot\u00ebn pa kuptuar veten \u00ebsht\u00eb si t\u00eb p\u00ebrpiqesh t\u00eb pastrosh nj\u00eb pasqyr\u00eb duke fshir\u00eb reflektimin. Sa m\u00eb shum\u00eb p\u00ebrpiqesh, aq m\u00eb shum\u00eb lodhesh, dhe reflektimi mbetet i nj\u00ebjt\u00eb. K\u00ebtu q\u00ebndron \u00e7el\u00ebsi i kthes\u00ebs.<\/p>

    Mirdadi nuk t\u00eb thot\u00eb t\u00eb luftosh me bot\u00ebn. Nuk t\u00eb thot\u00eb t\u00eb k\u00ebrkosh q\u00eb gj\u00ebrat t\u00eb b\u00ebhen m\u00eb t\u00eb qarta, m\u00eb t\u00eb drejta, m\u00eb t\u00eb bukura sipas d\u00ebshir\u00ebs t\u00ebnde. Ai t\u00eb fton n\u00eb nj\u00eb akt shum\u00eb m\u00eb t\u00eb heshtur, por shum\u00eb m\u00eb radikal: t\u00eb kthehesh nga vetja dhe t\u00eb shoh\u00ebsh perden q\u00eb mban mbi syt\u00eb e tu.<\/p>

    Sepse gj\u00ebrat nuk mbajn\u00eb perde mbi veten e tyre. Ti je ai q\u00eb i mbulon. Dhe n\u00eb momentin q\u00eb fillon t\u00eb heq\u00ebsh k\u00ebt\u00eb perde \u2013 jo me forc\u00eb, jo me luft\u00eb, por me vet\u00ebdije \u2013 ndodh di\u00e7ka e \u00e7uditshme: bota nuk ka m\u00eb nevoj\u00eb t\u00eb ndryshoj\u00eb. Ajo fillon t\u00eb zbulohet vet\u00eb, si nj\u00eb peizazh q\u00eb del nga mjegulla pa u prekur.<\/p>

    N\u00eb k\u00ebt\u00eb pik\u00eb, k\u00ebrkimi pushon s\u00eb qeni nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb rregulluar jasht\u00eb. Ai b\u00ebhet nj\u00eb proces i thell\u00eb i \u00e7lirimit brenda. Dhe at\u00ebher\u00eb enigma nuk zhduket sepse \u00ebsht\u00eb zgjidhur. Ajo zhduket sepse ai q\u00eb e p\u00ebrjetonte si enigm\u00eb, nuk \u00ebsht\u00eb m\u00eb i nj\u00ebjti.<\/p>

    Fjala Krijuese \u2013 \u00e7el\u00ebsi i mbyllur n\u00eb goj\u00eb<\/h2>

    N\u00eb fund t\u00eb kapitullit t\u00eb par\u00eb mbetet nj\u00eb ndjesi pezull, si nj\u00eb der\u00eb q\u00eb \u00ebsht\u00eb hapur vet\u00ebm sa p\u00ebr t\u00eb treguar se pas saj ka di\u00e7ka t\u00eb pakapshme. Mirdadi nuk jep menj\u00ebher\u00eb p\u00ebrgjigjen. Ai nuk e jep \u00e7el\u00ebsin, sepse nj\u00eb \u00e7el\u00ebs i dh\u00ebn\u00eb shum\u00eb her\u00ebt kthehet n\u00eb koncept \u2013 dhe nj\u00eb koncept \u00ebsht\u00eb vet\u00ebm nj\u00eb tjet\u00ebr vul\u00eb mbi t\u00eb panjohur\u00ebn.<\/p>

    Ai vet\u00ebm l\u00eb nj\u00eb gjurm\u00eb: ekziston nj\u00eb fjal\u00eb, m\u00eb e vogla dhe nj\u00ebkoh\u00ebsisht m\u00eb e madhja, q\u00eb p\u00ebrmban fuqin\u00eb p\u00ebr t\u00eb hapur gjith\u00e7ka. Nj\u00eb fjal\u00eb q\u00eb njeriu e mban gjithmon\u00eb pran\u00eb, aq pran\u00eb sa nuk e sheh m\u00eb. Nj\u00eb fjal\u00eb q\u00eb p\u00ebrdoret \u00e7do dit\u00eb, por q\u00eb pothuajse askush nuk e ka prekur n\u00eb thelbin e saj.<\/p>

    Dhe kjo \u00ebsht\u00eb arsyeja pse ai pret.<\/p>

    Sepse kjo fjal\u00eb nuk \u00ebsht\u00eb p\u00ebr t\u2019u d\u00ebgjuar si tingull. Nuk \u00ebsht\u00eb p\u00ebr t\u2019u kuptuar si nj\u00eb ide mes ideve. Ajo duhet t\u00eb njihet si burim, si pik\u00eb nga ku lind p\u00ebrvoja, mendimi, ndjenja dhe vet\u00eb perceptimi i bot\u00ebs. N\u00ebse d\u00ebgjohet vet\u00ebm si fjal\u00eb, ajo humbet. N\u00ebse kapet si p\u00ebrvoj\u00eb, ajo zbulon gjith\u00e7ka.<\/p>

    Kur m\u00eb n\u00eb fund ai e shqipton n\u00eb kapitullin e dyt\u00eb, nuk ka asnj\u00eb madh\u00ebshti t\u00eb jashtme n\u00eb tingullin e saj. \u00cbsht\u00eb fjala m\u00eb e zakonshme q\u00eb ekziston: \u201cUn\u00eb\u201d. Por ajo q\u00eb ai tregon nuk \u00ebsht\u00eb fjala q\u00eb ne mendojm\u00eb se njohim.<\/p>

    Sepse \u201cUn\u00eb\u201d q\u00eb p\u00ebrdoret zakonisht \u00ebsht\u00eb i mbushur me p\u00ebrmbajtje: histori, role, kujtime, arritje, frik\u00ebra.<\/span> \u00cbsht\u00eb \u201cUn\u00eb\u201d-i q\u00eb nd\u00ebrtohet n\u00eb koh\u00eb dhe q\u00eb mbrohet vazhdimisht nga k\u00ebrc\u00ebnimi i shp\u00ebrb\u00ebrjes. Ky \u201cUn\u00eb\u201d \u00ebsht\u00eb i ngusht\u00eb, i kusht\u00ebzuar, dhe gjithmon\u00eb n\u00eb tension me bot\u00ebn.<\/p>

    Ky nuk \u00ebsht\u00eb \u201cUni\u201d p\u00ebr t\u00eb cilin flet Mirdadi.<\/span><\/p>

    Ai flet p\u00ebr nj\u00eb \u201cUn\u00eb\u201d q\u00eb nuk ka nevoj\u00eb t\u00eb mbrohet, sepse nuk \u00ebsht\u00eb nd\u00ebrtuar. Nj\u00eb \u201cUn\u00eb\u201d q\u00eb nuk \u00ebsht\u00eb nj\u00eb histori, por nj\u00eb prani. Jo nj\u00eb identitet, por vet\u00ebdija e past\u00ebr e t\u00eb qenit. Nj\u00eb ndjesi e drejtp\u00ebrdrejt\u00eb: \u201cjam\u201d, para \u00e7do p\u00ebrkufizimi, para \u00e7do emri, para \u00e7do ndarjeje.<\/p>

    Ky \u201cUn\u00eb\u201d nuk \u00ebsht\u00eb di\u00e7ka q\u00eb shtohet. \u00cbsht\u00eb di\u00e7ka q\u00eb zbulohet kur gjith\u00e7ka tjet\u00ebr bie. Dhe pik\u00ebrisht k\u00ebtu q\u00ebndron fuqia krijuese. Sepse \u00e7do mendim q\u00eb lind, lind mbi k\u00ebt\u00eb \u201cUn\u00eb\u201d. \u00c7do ndjenj\u00eb q\u00eb shfaqet, mb\u00ebshtetet n\u00eb k\u00ebt\u00eb \u201cUn\u00eb\u201d. \u00c7do bot\u00eb q\u00eb perceptohet, organizohet rreth k\u00ebsaj qendre t\u00eb heshtur. Ai nuk \u00ebsht\u00eb nj\u00eb element mes t\u00eb tjer\u00ebve; ai \u00ebsht\u00eb burimi nga ku t\u00eb gjitha elementet marrin form\u00eb.<\/p>

    N\u00ebse ky burim \u00ebsht\u00eb i paqart\u00eb, edhe ajo q\u00eb lind prej tij do t\u00eb jet\u00eb e paqart\u00eb. N\u00ebse \u00ebsht\u00eb i ndar\u00eb, edhe bota do t\u00eb duket e ndar\u00eb. N\u00ebse \u00ebsht\u00eb i paq\u00ebndruesh\u00ebm, edhe realiteti do t\u00eb l\u00ebkundet si nj\u00eb hije.<\/p>

    Por n\u00ebse ky \u201cUn\u00eb\u201d njihet n\u00eb past\u00ebrtin\u00eb e tij \u2013 jo si mendim, por si p\u00ebrvoj\u00eb e drejtp\u00ebrdrejt\u00eb \u2013 at\u00ebher\u00eb ndodh nj\u00eb rregullim i heshtur i gjith\u00e7kaje. Nuk ka m\u00eb nevoj\u00eb p\u00ebr p\u00ebrpjekje t\u00eb jashtme p\u00ebr t\u00eb krijuar harmoni, sepse burimi vet\u00eb \u00ebsht\u00eb b\u00ebr\u00eb i qart\u00eb. Dhe at\u00ebher\u00eb fjala q\u00eb ishte nj\u00eb vul\u00eb, b\u00ebhet \u00e7el\u00ebs. Jo sepse ndryshon tingulli i saj, por sepse ndryshon ai q\u00eb e shqipton.<\/p>

    \u201cUn\u00eb\u201d si burim \u2013 krijimi i bot\u00ebs nga brenda<\/h2>

    \u00c7do gj\u00eb fillon me nj\u00eb akt t\u00eb thjesht\u00eb:
    ti mendon \u201cUn\u00eb\u201d \u2192 lind nj\u00eb bot\u00eb mendimesh<\/strong><\/span>
    ti ndjen \u201cUn\u00eb\u201d \u2192 lind nj\u00eb bot\u00eb ndjenjash<\/strong><\/span>
    ti thua \u201cUn\u00eb\u201d \u2192 lind nj\u00eb univers fjal\u00ebsh dhe formash<\/strong><\/span><\/p>

    Kjo nuk \u00ebsht\u00eb metafor\u00eb poetike. \u00cbsht\u00eb mekanik\u00eb e krijimit t\u00eb p\u00ebrvoj\u00ebs. \u201cUn\u00eb\u201d \u00ebsht\u00eb nj\u00eb burim. Dhe gjith\u00e7ka q\u00eb rrjedh prej tij mban cil\u00ebsin\u00eb e tij.<\/p>

    • N\u00ebse \u201cUn\u00eb\u201d- \u00ebsht\u00eb i turbullt \u2192 bota \u00ebsht\u00eb e turbullt<\/span><\/em><\/li>
    • N\u00ebse \u201cUn\u00eb\u201d- \u00ebsht\u00eb i ndar\u00eb \u2192 bota \u00ebsht\u00eb konflikt<\/span><\/em><\/li>
    • N\u00ebse \u201cUn\u00eb\u201d- \u00ebsht\u00eb i paq\u00ebndrueshme \u2192 jeta \u00ebsht\u00eb luhatje<\/span><\/em><\/li><\/ul>

      Bota nuk \u00ebsht\u00eb di\u00e7ka q\u00eb ndodh jasht\u00eb teje. \u00cbsht\u00eb zgjerimi i asaj q\u00eb je brenda.<\/p>

      \u00c7do gj\u00eb fillon me nj\u00eb akt t\u00eb thjesht\u00eb, pothuaj t\u00eb paduksh\u00ebm p\u00ebr syrin e zakonsh\u00ebm: ti mendon \u201cUn\u00eb\u201d. Nj\u00eb fjal\u00eb e vetme, nj\u00eb tingull i brendsh\u00ebm, dhe menj\u00ebher\u00eb nj\u00eb bot\u00eb e t\u00ebr\u00eb mendimesh ngrihet brenda teje. Mendime q\u00eb g\u00ebrmojn\u00eb, q\u00eb ndri\u00e7ojn\u00eb, q\u00eb ngjallin dhe shkat\u00ebrrojn\u00eb. Ti je krijuesi dhe krijimi nj\u00ebkoh\u00ebsisht; \u00e7do ide q\u00eb lind, \u00e7do imazh q\u00eb shfaqet, \u00ebsht\u00eb fryt i \u201cUn\u00eb\u201d-s t\u00ebnd. \u00c7do mendim q\u00eb ther, \u00e7do shqet\u00ebsim q\u00eb lundron brenda shpirtit, \u00ebsht\u00eb nj\u00eb pasqyr\u00eb e \u201cUni-t” t\u00ebnd n\u00eb veprim.<\/p>

      Por m\u00eb tej, kur ndjen \u201cUn\u00eb\u201d, krijimi zgjerohet n\u00eb fush\u00ebn e ndjenjave. Nj\u00eb det i pashterrsh\u00ebm ndjenjash fillon t\u00eb val\u00ebvitet brenda gjoksit t\u00ebnd. Dashuria dhe frika, g\u00ebzimi dhe dhimbja, shpirti dhe etja, \u00e7do val\u00eb \u00ebsht\u00eb prodhim i nj\u00eb qendre t\u00eb vetme: i \u201cUni\u201d-t t\u00ebnd. Nuk ka ndarje mes ndijimit dhe ndijes; ti ndjen dhe ndjenja ekziston, e rrjedhshme, e gjall\u00eb, e plot\u00eb. Shigjetat q\u00eb ngulen n\u00eb zem\u00ebr, tensionet dhe krizat q\u00eb t\u00eb mbajn\u00eb peng, jan\u00eb rr\u00ebnj\u00ebt q\u00eb \u201cUni\u201d- jot ka zgjedhur t\u00eb ngul\u00eb \u2013 por po aq mund t\u2019i shkul\u00eb, n\u00ebse vet\u00ebdija jote zgjohet dhe i shikon me qart\u00ebsi.<\/p>

      Kur thua \u201cUn\u00eb\u201d, fjala b\u00ebhet krijim. Nj\u00eb univers i t\u00ebr\u00eb fjal\u00ebsh lind nga z\u00ebri yt i brendsh\u00ebm. \u00c7do fjal\u00eb \u00ebsht\u00eb nj\u00eb simbol, \u00e7do simbol nj\u00eb realitet i vog\u00ebl, dhe \u00e7do realitet i vog\u00ebl \u00ebsht\u00eb nj\u00eb pjes\u00eb e nj\u00eb universi m\u00eb t\u00eb madh. Fjala q\u00eb del nga goja jote \u00ebsht\u00eb si nj\u00eb drit\u00eb q\u00eb ndri\u00e7on at\u00eb bot\u00eb q\u00eb ti brenda ke krijuar. N\u00ebse brenda vetes mbart helmin e zem\u00ebrimit ose hidh\u00ebrimit, ai rrjedh me fjal\u00ebt e tua dhe krijon peizazhe t\u00eb trishtuara p\u00ebrreth. N\u00ebse brenda vetes ka qet\u00ebsi dhe past\u00ebrti, fjala jote shnd\u00ebrrohet n\u00eb lumturi q\u00eb dep\u00ebrton \u00e7do qoshe.<\/p>

      Kjo nuk \u00ebsht\u00eb metafor\u00eb poetike. \u00cbsht\u00eb mekanik\u00eb e krijimit t\u00eb p\u00ebrvoj\u00ebs. \u201cUn\u00eb\u201d \u00ebsht\u00eb burim \u2013 burim i \u00e7do mendimi, ndjenje dhe veprimi. \u00c7do gj\u00eb q\u00eb rrjedh prej tij mban shenjat e tij, gjurm\u00ebt e tij. N\u00ebse \u201cUni\u201d- \u00ebsht\u00eb i turbullt, bota b\u00ebhet e turbullt. N\u00ebse \u201cUni\u201d- \u00ebsht\u00eb i ndar\u00eb, gjith\u00e7ka p\u00ebrreth shfaqet e p\u00ebr\u00e7ar\u00eb. N\u00ebse \u201cUni\u201d- \u00ebsht\u00eb i paq\u00ebndruesh\u00ebm, jeta shnd\u00ebrrohet n\u00eb luhatje, n\u00eb uj\u00ebra q\u00eb t\u00eb marrin me rrym\u00eb pa pushim.<\/p>

      Bota nuk \u00ebsht\u00eb nj\u00eb entitet i jasht\u00ebm q\u00eb ekziston pa ty. Ajo nuk \u00ebsht\u00eb nj\u00eb sken\u00eb ku ti thjesht luan rolin t\u00ebnd. Bota \u00ebsht\u00eb zgjerimi i asaj q\u00eb je brenda. \u00c7do mendim i heshtur, \u00e7do ndjenj\u00eb e fshehur, \u00e7do fjal\u00eb q\u00eb thua, \u00ebsht\u00eb nj\u00eb gur themeli n\u00eb bot\u00ebn q\u00eb krijon. P\u00ebr t\u00eb ndryshuar bot\u00ebn, fillimisht duhet t\u00eb kesh qart\u00ebsi n\u00eb \u201cUnin\u201d t\u00ebnd. T\u00eb kuptosh burimin, t\u00eb shoh\u00ebsh qendr\u00ebn, t\u00eb harmonizosh k\u00ebt\u00eb energji t\u00eb brendshme \u2013 vet\u00ebm at\u00ebher\u00eb rrjedh gjith\u00e7ka n\u00eb harmoni dhe universi yt b\u00ebhet pasqyr\u00eb e qart\u00ebsis\u00eb dhe paqes s\u00eb brendshme.<\/p>

      Ndarja e \u201cUn\u00eb\u201d-s \u2013 burimi i vuajtjes<\/h2>

      Mirdadi nuk ndalet tek zbulimi i \u201cUn\u00eb\u201d-s si burim. Ai e \u00e7on v\u00ebshtrimin edhe m\u00eb thell\u00eb, atje ku lind deformimi. Sepse problemi nuk \u00ebsht\u00eb q\u00eb \u201cUn\u00eb\u201d ekziston. Pa t\u00eb, nuk ka p\u00ebrvoj\u00eb, nuk ka vet\u00ebdije, nuk ka bot\u00eb. Problemi lind n\u00eb \u00e7astin kur ky \u201cUn\u00eb\u201d nuk \u00ebsht\u00eb m\u00eb i nj\u00ebtrajtsh\u00ebm, por i cop\u00ebzuar brenda vetes.<\/span><\/strong><\/p>

      Kjo ndarje nuk \u00ebsht\u00eb e dukshme n\u00eb sip\u00ebrfaqe. Ajo nuk shpallet me z\u00eb. Ajo vepron n\u00eb heshtje, si nj\u00eb \u00e7arje e brendshme q\u00eb krijon tension t\u00eb vazhduesh\u00ebm. Nj\u00eb pjes\u00eb e \u201cUn\u00eb\u201d- k\u00ebrkon t\u00eb p\u00ebrfshij\u00eb, t\u00eb afrohet, t\u00eb bashkohet me at\u00eb q\u00eb ndjen si t\u00eb vet\u00ebn. Nj\u00eb pjes\u00eb tjet\u00ebr ngrihet menj\u00ebher\u00eb p\u00ebr t\u00eb p\u00ebrjashtuar, p\u00ebr t\u00eb mbrojtur, p\u00ebr t\u00eb refuzuar at\u00eb q\u00eb duket si k\u00ebrc\u00ebnim. N\u00eb t\u00eb nj\u00ebjt\u00ebn qend\u00ebr lind d\u00ebshira dhe kund\u00ebrshtimi, t\u00ebrheqja dhe shtyrja, po-ja dhe jo-ja.<\/p>

      Dhe kjo l\u00ebvizje e dyfisht\u00eb nuk \u00ebsht\u00eb thjesht nj\u00eb konflikt psikologjik. Ajo \u00ebsht\u00eb matrica nga e cila projektohet e gjith\u00eb p\u00ebrvoja e realitetit.<\/p>

      Sepse bota q\u00eb njeriu sheh nuk \u00ebsht\u00eb tjet\u00ebr ve\u00e7se nj\u00eb shtrirje e k\u00ebsaj ndarjeje t\u00eb brendshme. Nj\u00eb bot\u00eb ku gjith\u00e7ka lind dhe shuhet pa pushim, sepse brenda \u201cUni\u201d-t nuk ka q\u00ebndrueshm\u00ebri. Nj\u00eb bot\u00eb q\u00eb nd\u00ebrton dhe shkat\u00ebrron vazhdimisht, sepse ajo q\u00eb krijohet nga nj\u00eb pjes\u00eb, rr\u00ebzohet nga nj\u00eb tjet\u00ebr. Nj\u00eb bot\u00eb q\u00eb k\u00ebrkon paqe me fjal\u00eb, por prodhon luft\u00eb n\u00eb thelb, sepse vet\u00eb burimi \u00ebsht\u00eb n\u00eb konflikt me veten.<\/p>

      Kjo nuk \u00ebsht\u00eb nj\u00eb dram\u00eb q\u00eb ndodh jasht\u00eb, n\u00eb histori apo n\u00eb shoq\u00ebri. \u00cbsht\u00eb nj\u00eb pasqyrim i drejtp\u00ebrdrejt\u00eb i struktur\u00ebs s\u00eb brendshme. Sa her\u00eb q\u00eb \u201cUn\u00eb\u201d ndahet, realiteti fragmentohet. Sa her\u00eb q\u00eb brenda lind nj\u00eb vij\u00eb ndar\u00ebse, ajo projektohet jasht\u00eb si kufi, si kund\u00ebrshti, si p\u00ebrplasje. Dhe njeriu, duke mos e par\u00eb k\u00ebt\u00eb mekaniz\u00ebm, p\u00ebrpiqet t\u00eb zgjidh\u00eb jasht\u00eb at\u00eb q\u00eb ka lindur brenda.<\/p>

      Kjo \u00ebsht\u00eb arsyeja pse \u00e7do p\u00ebrpjekje p\u00ebr paqe mbetet e p\u00ebrkohshme, \u00e7do rend shembet, \u00e7do ekuilib\u00ebr l\u00ebkundet. Sepse rr\u00ebnja nuk \u00ebsht\u00eb prekur. Mirdadi nuk k\u00ebrkon t\u00eb zhduk\u00eb \u201cUni\u201d-n. Ai k\u00ebrkon t\u00eb sh\u00ebroj\u00eb ndarjen brenda tij.<\/p>

      Sepse nj\u00eb \u201cUn\u00eb\u201d i bashkuar nuk prodhon konflikt. Nuk ka nevoj\u00eb t\u00eb p\u00ebrjashtoj\u00eb, sepse nuk ndjen k\u00ebrc\u00ebnim. Nuk ka nevoj\u00eb t\u00eb kapet pas asgj\u00ebje, sepse nuk ndjen munges\u00eb. Ai \u00ebsht\u00eb i plot\u00eb n\u00eb vetvete, dhe nga kjo plot\u00ebsi lind nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr e t\u00eb qenit n\u00eb bot\u00eb.<\/p>

      N\u00eb at\u00eb gjendje, krijimi nuk \u00ebsht\u00eb m\u00eb nj\u00eb p\u00ebrpjekje e nj\u00eb pjese kund\u00ebr nj\u00eb tjetre, por nj\u00eb rrjedh\u00eb e natyrshme e nj\u00eb qendre t\u00eb bashkuar. Dhe bota, q\u00eb m\u00eb par\u00eb dukej si nj\u00eb fush\u00eb betejash t\u00eb pafundme, fillon t\u00eb reflektoj\u00eb k\u00ebt\u00eb unitet \u2013 jo si nj\u00eb ideal p\u00ebr t\u2019u arritur, por si nj\u00eb realitet q\u00eb shfaqet vet\u00eb kur ndarja shuhet n\u00eb burim.<\/p>

      Balanca \u2013 jo zhdukje, por bashkim<\/h2>

      Zgjidhja q\u00eb propozon Mirdadi nuk \u00ebsht\u00eb zhdukja e \u201cUn\u00eb\u201d-ve. As shtypja e tyre. Por bashkimi.<\/span><\/strong><\/p>

      N\u00eb k\u00ebt\u00eb pik\u00eb, m\u00ebsimi i Mirdadit shmang nj\u00eb keqkuptim t\u00eb rreziksh\u00ebm: ideja se \u00e7lirimi vjen duke zhdukur \u201cUni\u201d-n, duke e shtypur apo mohuar at\u00eb.<\/span> <\/em>Kjo do t\u00eb ishte vet\u00ebm nj\u00eb form\u00eb m\u00eb e rafinuar e t\u00eb nj\u00ebjtit konflikt \u2013 nj\u00eb pjes\u00eb e \u201cUni\u201d-t q\u00eb p\u00ebrpiqet t\u00eb zhduk\u00eb nj\u00eb pjes\u00eb tjet\u00ebr. Dhe \u00e7do luft\u00eb e till\u00eb, sado e justifikuar t\u00eb duket, e thellon ndarjen q\u00eb pretendon t\u00eb sh\u00ebroj\u00eb.<\/p>

      Mirdadi nuk k\u00ebrkon zhdukje. Ai k\u00ebrkon bashkim. Ai nuk fton njeriun t\u00eb ndaj\u00eb t\u00eb mir\u00ebn nga e keqja, sikur k\u00ebto t\u00eb ishin dy forca t\u00eb ndara q\u00eb duhen vendosur n\u00eb an\u00eb t\u00eb kund\u00ebrta. Ai e \u00e7on v\u00ebshtrimin p\u00ebrtej k\u00ebsaj ndarjeje, duke treguar se vet\u00eb ideja e ndarjes \u00ebsht\u00eb burimi i iluzionit. Ajo q\u00eb duket si e mir\u00eb dhe e keqe, si drit\u00eb dhe err\u00ebsir\u00eb, si d\u00ebshir\u00eb dhe refuzim, jan\u00eb vet\u00ebm shprehje t\u00eb nj\u00eb \u201cUni\u201d- q\u00eb nuk e njeh veten si nj\u00eb.<\/p>

      Kur ky \u201cUn\u00eb\u201d ndahet, lind gjykimi. Kur gjykimi forcohet, lind konflikti. Dhe kur konflikti b\u00ebhet m\u00ebnyr\u00eb ekzistence, jeta p\u00ebrjetohet si nj\u00eb luhatje e vazhdueshme mes poleve q\u00eb nuk gjejn\u00eb kurr\u00eb paqe.<\/p>

      Por kur \u201cUn\u00eb\u201d fillon t\u00eb rikthehet n\u00eb vetvete, jo duke p\u00ebrjashtuar, por duke p\u00ebrfshir\u00eb, ndodh nj\u00eb transformim i heshtur. Nuk ka m\u00eb nevoj\u00eb p\u00ebr zgjedhje t\u00eb dhunshme mes kund\u00ebrshtive, sepse vet\u00eb kund\u00ebrshtit\u00eb fillojn\u00eb t\u00eb shihen si dy an\u00eb t\u00eb s\u00eb nj\u00ebjt\u00ebs l\u00ebvizje.<\/p>

      N\u00eb k\u00ebt\u00eb gjendje, fjala nuk \u00ebsht\u00eb m\u00eb nj\u00eb mjet q\u00eb plagos apo ndan. Ajo b\u00ebhet bart\u00ebse kuptimi, sepse nuk del m\u00eb nga nj\u00eb burim i cop\u00ebzuar. Ajo nuk mbart tensionin e brendsh\u00ebm, por qart\u00ebsin\u00eb e nj\u00eb qendre t\u00eb bashkuar.<\/p>

      Bota nuk p\u00ebrjetohet m\u00eb si nj\u00eb fush\u00eb p\u00ebrplasjesh. Ajo fillon t\u00eb shfaqet si nj\u00eb t\u00ebr\u00ebsi ku \u00e7do gj\u00eb gjen vendin e saj. Konflikti nuk zhduket si fenomen, por humbet fuqin\u00eb e tij p\u00ebr t\u00eb ndar\u00eb, sepse ai nuk ushqehet m\u00eb nga nj\u00eb ndarje e brendshme.<\/p>

      Dhe jeta, q\u00eb m\u00eb par\u00eb ishte nj\u00eb l\u00ebkundje e vazhdueshme mes ekstremeve, fillon t\u00eb marr\u00eb nj\u00eb rit\u00ebm tjet\u00ebr. Jo nj\u00eb statik\u00eb e vdekur, por nj\u00eb ekuilib\u00ebr i gjall\u00eb \u2013 nj\u00eb l\u00ebvizje q\u00eb nuk humbet qendr\u00ebn e saj.<\/p>

      Kjo \u00ebsht\u00eb ajo q\u00eb Mirdadi e quan Balanc\u00eb e P\u00ebrsosur<\/span><\/strong>. Jo nj\u00eb pik\u00eb e fiksuar ku gjith\u00e7ka ndalon, por nj\u00eb gjendje ku gjith\u00e7ka l\u00ebviz pa u cop\u00ebzuar. Nj\u00eb unitet q\u00eb nuk p\u00ebrjashton asgj\u00eb, sepse nuk ka m\u00eb asgj\u00eb p\u00ebr t\u00eb mbrojtur apo p\u00ebr t\u00eb refuzuar. Dhe n\u00eb k\u00ebt\u00eb balanc\u00eb, \u201cUni\u201d nuk zhduket. Ai m\u00eb n\u00eb fund b\u00ebhet i v\u00ebrtet\u00eb.<\/p>

      Nga fjala tek qenia<\/h2>

      N\u00eb sip\u00ebrfaqe duket sikur k\u00ebto kapituj merren me fjal\u00ebn, me m\u00ebnyr\u00ebn si flasim, si p\u00ebrdorim \u201cUni\u201d-n, si nd\u00ebrtojm\u00eb kuptimin. Por n\u00eb thelb, ato nuk jan\u00eb nj\u00eb m\u00ebsim mbi gjuh\u00ebn. Jan\u00eb nj\u00eb udh\u00ebzim i heshtur drejt qenies.<\/p>

      Fjala \u00ebsht\u00eb vet\u00ebm porta. Syri \u00ebsht\u00eb vet\u00ebm instrumenti. T\u00eb dyja jan\u00eb hyrje, jo destinacion. Dhe njeriu, duke u ndalur tek ato, ka harruar t\u00eb shikoj\u00eb at\u00eb q\u00eb q\u00ebndron pas tyre: nj\u00eb qend\u00ebr e padukshme, por gjithmon\u00eb aktive, q\u00eb krijon p\u00ebrvoj\u00ebn, e ndan at\u00eb, e bashkon dhe e interpreton pa pushim.<\/p>

      Kjo qend\u00ebr \u00ebsht\u00eb burimi i gjith\u00e7kaje q\u00eb p\u00ebrjetohet si \u201cbot\u00eb\u201d.<\/span><\/strong><\/p>

      Kur ajo \u00ebsht\u00eb e paqart\u00eb, edhe bota b\u00ebhet e paqart\u00eb. Kur ajo \u00ebsht\u00eb e ndar\u00eb, edhe realiteti p\u00ebrjetohet si konflikt. Kur ajo \u00ebsht\u00eb n\u00eb tension, edhe fjala q\u00eb del prej saj mbart tension. Dhe k\u00ebshtu njeriu p\u00ebrpiqet t\u00eb p\u00ebrmir\u00ebsoj\u00eb shprehjen, pa prekur burimin q\u00eb e gjeneron at\u00eb.<\/p>

      Mirdadi nuk e ndjek k\u00ebt\u00eb rrug\u00eb. Ai nuk po m\u00ebson si t\u00eb flas\u00ebsh m\u00eb mir\u00eb, si t\u00eb zgjedh\u00ebsh fjal\u00eb m\u00eb t\u00eb sakta apo m\u00eb t\u00eb bukura. Ai nuk merret me form\u00ebn e shprehjes, por me cil\u00ebsin\u00eb e qenies nga e cila buron \u00e7do shprehje. <\/p>

      Kjo \u00ebsht\u00eb arsyeja pse i gjith\u00eb m\u00ebsimi zhvendoset nga jasht\u00eb brenda, nga tingulli tek burimi, nga fjala tek qenia. Sepse vet\u00ebm aty ndodh transformimi i v\u00ebrtet\u00eb. Jo si nj\u00eb p\u00ebrpjekje p\u00ebr t\u2019u b\u00ebr\u00eb di\u00e7ka tjet\u00ebr, por si nj\u00eb zbulim i asaj q\u00eb gjithmon\u00eb ka qen\u00eb, por ka qen\u00eb e mbuluar.<\/p>

      Dhe kur kjo qend\u00ebr fillon t\u00eb qart\u00ebsohet, gjith\u00e7ka tjet\u00ebr riorganizohet pa p\u00ebrpjekje. Fjala nuk ka m\u00eb nevoj\u00eb t\u00eb sforcohet p\u00ebr t\u00eb shpjeguar, p\u00ebr t\u00eb bindur, p\u00ebr t\u00eb mbrojtur. Ajo nuk mbart m\u00eb pesh\u00ebn e nj\u00eb \u201cUn\u00eb\u201d-i t\u00eb pasigurt. Ajo b\u00ebhet e leht\u00eb, e drejtp\u00ebrdrejt\u00eb, e gjall\u00eb. Nuk k\u00ebrkon t\u00eb arrij\u00eb di\u00e7ka \u2013 ajo thjesht rrjedh.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

      Ky artikull zb\u00ebrthen kapitujt 1 dhe 2 t\u00eb The Book of Mirdad, duke eksploruar natyr\u00ebn e \u201cUn\u00eb\u201d-s si fjal\u00eb krijuese, struktur\u00ebn e perceptimit si perde dhe rrug\u00ebn drejt nj\u00eb balance t\u00eb brendshme q\u00eb transformon m\u00ebnyr\u00ebn si p\u00ebrjetohet bota.<\/p>","protected":false},"author":1,"featured_media":7497,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","iawp_total_views":7,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[1,27],"tags":[],"class_list":["post-7458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-all","category-mirdad","entry","has-media"],"yoast_head":"\nLibri i Mirdad: Nga Fjala \u201cUn\u00eb\u201d tek Balanca e P\u00ebrsosur - Mystic Rose Studio<\/title>\n<meta name=\"description\" content=\"Analiz\u00eb e thell\u00eb e \u201cMirdad\u201d: si \u201cUni\u201d krijon realitetin, pse perceptimi \u00ebsht\u00eb perde dhe si arrihet balanca e p\u00ebrsosur p\u00ebrtej konfliktit.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oshoshqip.com\/en\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Libri i Mirdad: Nga Fjala \u201cUn\u00eb\u201d tek Balanca e P\u00ebrsosur - Mystic Rose Studio\" \/>\n<meta property=\"og:description\" content=\"Analiz\u00eb e thell\u00eb e \u201cMirdad\u201d: si \u201cUni\u201d krijon realitetin, pse perceptimi \u00ebsht\u00eb perde dhe si arrihet balanca e p\u00ebrsosur p\u00ebrtej konfliktit.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/oshoshqip.com\/en\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\" \/>\n<meta property=\"og:site_name\" content=\"Mystic Rose Studio\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/studiomysticrose\/?ref=aymt_homepage_panel&eid=ARDWyiyUh1yUXeYjdnU7nul6aLX1YZIL0mqTLzj1MZ4N-uTyV4Qgs47POy7fElEbbaGKbc9gIZpXvtF7\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-17T09:55:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-17T10:47:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/oshoshqip.com\/wp-content\/uploads\/2026\/03\/mirdad-ch1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"900\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"oshoshqip\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"oshoshqip\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\"},\"author\":{\"name\":\"oshoshqip\",\"@id\":\"https:\/\/oshoshqip.com\/#\/schema\/person\/890bf2bca0a8cfd30d82badf2f60cbae\"},\"headline\":\"Libri i Mirdad: Nga Fjala \u201cUn\u00eb\u201d tek Balanca e P\u00ebrsosur\",\"datePublished\":\"2026-03-17T09:55:43+00:00\",\"dateModified\":\"2026-03-17T10:47:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\"},\"wordCount\":4806,\"publisher\":{\"@id\":\"https:\/\/oshoshqip.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/oshoshqip.com\/wp-content\/uploads\/2026\/03\/mirdad-ch1.jpg\",\"articleSection\":[\"Blog\",\"Mirdad\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\",\"url\":\"https:\/\/oshoshqip.com\/2026\/03\/17\/mirdad-fjala-une-perdet-balanca-persosur\/\",\"name\":\"Libri i Mirdad: Nga Fjala \u201cUn\u00eb\u201d tek Balanca e P\u00ebrsosur - 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